I have always thought of theater as
the ultimate form of communication.
While recently watching Vanya on 42nd Street, the 1994 filmed
production of Anton Chekhov’s Uncle Vanya, I
came to the realization that even the best recording cannot do justice to the
instantaneous nature of live performance.
While this film is a spectacular documentation of the intimate
production put on in the then abandoned Victory Theater, the experience of
actually being in the presence of this masterpiece must have been even more
stunning.
When an experience is digitalized,
there is a presentational element that removes us from the work. For years now, we have been able to
easily edit photos to unrealistic perfection, splice a scene together word-by-word,
or correct flaws in music to the point where all voices sound the same. While this can be professionally
beneficial, a certain amount of authenticity is always lost, as we take what
would be considered incredible and rare in reality and make it uniform and
accessible in the digital world.
However, no matter how much
technological progress is made, there is still no replacement for
atmosphere. A prepared image
cannot match the physicality of being present in an actual space— an experience
that engages all the senses, rather than just a two-dimensional
understanding. This is currently
being fully realized in theater, as physicality is combined with the undeniable
authenticity of performance within endeavors like Sleep No More, a production (that I’m sure you’ve heard of, if not
attended) of Macbeth staged as a completely immersive experience. Or even at the beginning of Broadway’s Once,
a more commercially accessible option,
when the audience is invited onto the stage and into the world of the
play. These works encourage the
audience to push their own sensory boundaries. To observe a scene and attempt to conjure up the character’s
memories. To want more from an
image than meets the eye. To watch
a film like Vanya on 42nd, and wonder what it might have smelled
like in the Victory Theater.
No comments:
Post a Comment